Monthly Archives: February 2011

Author interview: Michaelbrent Collings


Michaelbrent Collings is the author of the bestselling thrillers RUN, Rising Fears, The Loon. His latest novel is called The Stranger Inside.

Jerome: What can you tell us about The Stranger Inside?

Michaelbrent: The Stranger Inside is a really fun little thriller about a family who wakes up one morning to discover that they’ve literally been entombed in their own home: all the doors and windows are nailed shut, all windows are covered in sheet metal so it’s impossible to leave.  They have to figure out a) why this has happened, and b) how to get out.  Oh, and did I mention that the guy who did it to them is inside, too?  And that he’s a very disturbed individual?  So in that sense it’s kind of a cheerful story.  Like something you’d hear during Christmas, if you were listening to that one aunt of yours who is a bit “disturbed.”  Ha!

Jerome: Who are your readers?

Michaelbrent: My mommy and daddy say I’m very good.  Seriously, though, that’s a good question.  One of the toughest parts of being a writer is slaving away day after day and then waiting weeks or months or even years to find an audience.  And then it’s hard to say what kind of an audience you’ve found.  I write thrillers with a “Dean Koontz”-ish feel (yes, I just made up the word “Dean Koontz”-ish…I’m allowed to…I’m a writer).  Meaning that I try to have them scary as all get go, but with an ending that uplifts – or at least doesn’t make you want to take a pair of bolt cutters to your own wrists in an effort to escape the horror of it all.

Jerome: What was your journey as a writer?

Michaelbrent: My journey as a writer began as I entered the fallopian tubes of my mother…Oh, wait.  I think you meant something different there.  My bad.  My journey as a writer began before I was born.  My father was an English professor, and he was constantly rubbing elbows with writers.  It wasn’t unusual for him to be corresponding with or going to the houses of such luminaries as Stephen King, Dean Koontz (of “Dean Koontz”-ish fame), Orson Scott Card, and many others.  So between my father’s genetic predisposition toward writing and the fact that very cool author types were always around, I was pretty much doomed from the start.  And now look at me!  Or don’t.  I’m not easy on the eyes, I know.

Jerome: Do you follow a specific writing process?

Michaelbrent: Yes.  I specifically write.  That’s the big secret, you know.  It’s not enough to say “I wanna be a writer someday.”  You have to actually roll up your sleeves, put ink to paper (or fingers to keyboard, as the case may be), and get to work.  So my process mostly involves writing as much as possible.  And the laws of averages says that if you do that enough, at least some things you write should be palatable.

Jerome: Where do you find inspiration?

Michaelbrent: Everywhere.  Right now I’m making up a story in my mind about a writer who volunteers to do an interview for a blog, only it turns out that the blog owner is a secret government assassin trained by psychokinetic whales to rid the earth of all seaweed.  Of course, that’s just the first draft idea.  A lot of the mess will be cleaned up in the second draft.

Jerome: Who are your favourite authors?

Michaelbrent: Dean Koontz, Orson Scott Card (both friends of mine, I’m proud to say, and both truly wonderful guys), Brandon Mull (another pal I was lucky enough to grow up with), Stephen King, Stephen Hunter, and anyone else who can write a good ol’ edge-of-your-seat nail biter.

Jerome: Is there a book you wish you had written? Which one?

Michaelbrent: The Da Vinci Code.  ‘Cause really, who wouldn’t want to have written something that outsold the phone book?

Jerome: Do you have any tips for budding writers?

Michaelbrent: WRITE.  If you want to be a writer, then don’t wait for the right time or the right story.  No such thing.  There is just you and a blank page (meaning you’re not a writer), or you and the words that you commit to paper (meaning you are one).  Writing is about writing, plain and simple.  So write often, and you’ll find that writing well comes with it.

Jerome: What are you working on at the moment?

Michaelbrent: I just finished up a book called The Meridians, which is a very cool thriller about a cop whose family is killed.  Then about a decade later, the killer returns to finish the job.  Only the twist is that the killer has undergone some changes, and now comes equipped with some very…disturbing…powers.  And the killer is also targeting a woman and her autistic son (who also turns out to have more than a normal range of talents), so the cop, the woman, and her son have to go on the run long enough to figure out how to defeat their nemesis, and, of course, long enough to find out the secret behind The Meridians.

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Educating Rita


Last night I saw “Educating Rita”, the play by Willy Russell at the McAulay Studio in Wanchai, Hong Kong. For those of you who don’t know the play, it premiered on the 10th of June 1980 at the Royal Shakespeare Company Warehouse in London with Julie Waters as Rita and Mark Kingston as Frank, and received the Laurence Olivier Award for Best New Comedy. It was also adapted into a movie in 1983, starring Michael Caine and Julie Walters, and directed by Lewis Gilbert.

Educating Rita is the story of the relationship between a young working-class hairdresser from Liverpool and Dr. Frank Bryant, a University lecturer in English literature, which takes place during one full year. We witness how Rita (who later calls herself Susan), dissatisfied with her life and education level, enrolls in an Open University course in English Literature, meeting her tutor Frank and learning “everything” from him. Rita learns fast but Frank (who deals with his own demons) is devastated to see her losing her individuality and the mere reason why he’s fallen for her. He can’t bear to see her adopt the superficiality of so many of the other students. It’s an interesting topic, it’s fun to watch and it makes you think… all the ingredients of a good play – and a good night.

The actors, Kim Haslam and Adam Harris, did a good job, even if – in true Hong Kong style! – they were sick: Haslam tried to suppress a nagging cough during the whole play (through lots of drinks and a few Fisherman’s friends –  I admire her for being able to speak clearly with one of those in her mouth) and Harris had the sniffles. They were not the only ones; the audience echoed their plight! An honest production.

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Birdman, by Mo Hayder


Birdman is Mo Hayder’s first novel, published in 2000. As an entrée served by Hayder before a long list of courses more bloody and frightening than each other, Birdman is perfect. In her debut novel, Hayder introduces Jack Caffery, a detective who will feature in some of her subsequent novels. “Birdman” is the nickname given by the police to a serial killer who has buried five of his victims – five butchered women – in an empty field in London’s Greenwich area. Caffery soon realises that the psychopath he is on the trail of is much, much worse than any other he has ever encountered before. Hayder’s writing is not dissimilar to the scalpel used by Birdman: precise, lacerating, and bloody. But it’s also effortless, and like any good writing, doesn’t draw attention to itself; it simply serves its purpose, a story that will keep you on edge untill the very last page of the book. Hayder makes smart use of the environment, the sounds, the colours and the smells; it’s almost as if it were not a story you’re reading, but a film played on the screen of your mind. Even better, her dialogues sound true and efficient. But what distinguishes Hayder’s crime novels from others is an ability to create characters who are real people, not flawless heroes. These characters don’t work in isolation, the search for the killer is a team effort win which every member of the crime division has a role to play. And Caffery is simply the musical director who facilitates the development of the piece. I had read Gone - another Jack Caffery novel – before reading Birdman, but this was not a problem. Each Hayder book can be read as a standalone. Birdman shows all the signs of a great writer, including some of the subtlety and smart plotting that Hayder will further develop in her other novels.

Two small things disappointed me in Birdman, maybe because I had experienced some of Hayder’s later writing. The first disappointment is that towards the end of the story, Caffery does two things which make me instantly lose my compassion – and my interest  – for him. If I had not read Gone, maybe I wouldn’t have wanted to experience him again. The other disappointment was, once again towards the end of the book,  what I perceived as gratuitous gore – the story could have ended without it and without losing any of its edge. This said, and not to end on a downer since I really liked the novel, Birdman is a one-sitting type of read, a story full of twists and dead ends that I guarantee you will not see coming, a book to be read absolutely by any crime lover.

I was given “Birdman” by Transworld Publishers as part of The Great Transworld Crime Caper, in which I am currently taking part.

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Sinking Maldives


Last weekend I went back to the Maldives for five days of pure indulgence. For a diver – and an old one at that since I started diving thirty years ago, when diving equipment paled in comparison with today’s easy-to-use equipment – the Maldives are a must. Clear, warm waters, an explosion of colours – coral and fish – a delight for the senses, emotions guaranteed with every dive. Manta rays, turtles, sharks, cod-fish, clown fish, lion fish, dolphins, whale sharks to name a few… My first trip to these wonderful coral islands was twenty years ago. The atolls have not changed much, except maybe for increased tourism. Their beauty is staggering. Unfortunately, if climate change continues at the current rate and sea level continues to rise, they may very well find themselves under water in the future. Scary. The Maldivian Government has started to address the issue and in 2008, the President announced plans to look into purchasing land in India, Sri Lanka, and Australia.

A few facts you may not know about the Maldives:

  • They were an independent sultanate from 1153 to 1968 and a British protectorate from 1887 until independence on 25 July 1965
  • The islands spread over roughly 90,000 square kilometers
  • With an average ground level of 1.5 metres above sea level, it is the lowest country on the planet
  • Only 200 of the 1,190 or so islands are inhabited
  • The Maldives’ population is roughly 300,000 (100,000 in the capital Male)
  • Tourism accounts for 28% of GDP
  • Islam is the only official religion of the Maldives; the open practice of all other religions is forbidden
  • The official and common language is Dhivehi
  • 108 people died in the 2004 tsunami

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If I Stay, by Gayle Forman


One millisecond, that’s all it takes, and Mia loses everything dear to her heart. Her life is over. Or is it, really? After a terrible car accident, Mia finds herself outside her body, witnessing her family’s and friends’ distress, the effort of the medical team to save her life, her boyfriend’s struggle to get the right to visit her in the ICU, and her own body fighting death… Soon Mia realises that her fate lies in her own hands. She faces a dilemma bigger than everything she’s ever experienced, should she decide to stay – and face her losses – or move on to another dimension…

The issues of out-of-body experience, afterlife, and death that Mia faces interest me. In my latest novel Body Swap, the hero faces something similar. I was therefore looking forward to finding out how Gayle Forman dealt with those issues in If I Stay. The story is gripping. Mia’s dilemma, her struggle, her hopes and fears become ours. It is impossible to read this novel without asking oneself the question of what we would do, would we find ourselves in Mia’s situation. Forman’s writing is full of vivid images, at times light and airy, at times strong and heavy, such as the minutes following Mia’s accident. But they are always spot-on. I found the questions going through Mia’s mind sometimes a little too obvious or brushed over too quickly, but overall, Forman did a very good job. I did get slightly annoyed at first though when the narrative went from the present to the past, and again, and again. I felt that the flashbacks slowed the action and were a little repetitive. But once you got to know the characters, it was fine. Some parts of the book seem to lack emotion at first, for example the cold way Mia watches the world from outside her body, but in fact it’s a way for Forman to show the distance between the new Mia and her former life – that is until she finds herself dragged back into it – big time.

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Author interview: Patrick Michael Murphy


Patrick Michael Murphy is offering TWO free copies of his novel, Across the Desperate Miles, to the first two persons who post a comment on this interview. The free copies are available in eBook format for the Kindle. The only condition for those interested is to post a review of the novel on Amazon.

Jerome: What can you tell us about Across the Desperate Miles?

Patrick: Across the Desperate Miles is the current-day story of Kera and Rand Priven, a young couple who must journey across America to find and protect their children.  The catch is, they are not getting along, at all, and, America is in the throes of a revolution brought about by outside and inside forces.  There is war and anarchy within our borders.  The systems have shut down.  They are completely on their own.  It’s a story of transformation and survival.

Jerome: Who are your readers?

Patrick: I have had very positive feedback from 20somethings to 70somethings.  I think it does well with contemporary fiction readers as well as action/adventure, thriller, military history, political readers, pop culture… and anyone wondering about the direction and future of the United States (and world really).  The book is on Amazon and I don’t really know anything about the people who purchase it, but it seems to appeal to readers on many levels.

Jerome: What was your journey as a writer?

Patrick: I started writing as a teen. I then joined the Army as a cameraman and travelled the world at a peaceful time, photographing pretty much anything I wanted, and a few I didn’t want.  I did very well there and in civilian life, won a couple Emmys for my photography and writing, but two decades later I was burned out on it and wanted to turn my own writing into a career.  I am not going to say it’s been easy, but I am going to say it’s been a challenge and a lot of fun.  

Jerome: Do you follow a specific writing process?

Patrick: Let’s see.  I am a fairly disciplined guy in many ways.  But.  There’s always that but, isn’t there?  In filmmaking I learned about formulas and used them until I became sick of them.  I saw the ruin of formulas and yet, it seemed, everything was being done with them, especially TV and screenplays.  I began experimenting, and had some great success.  I think we are all so inundated with media that new approaches are often not new at all.  But for me, the idea is to not simply recreate what you or others have done.  Use courage.  Go out on your own and believe in yourself.  So I have used time-tested approaches for writing screenplays, essays, novels, and poetry, but my process is really to consider deeply what the piece is about and let it go its own way… within reason.  I take long periods off between writing projects.  But when I am writing I get obsessive.  At least through a draft.  Across the Desperate Miles was first written in the late nineties. Before the horror of 9/11.  I sent it out a few times back then and then I shelved it. When I took it out again several months ago, at the urging of Jan Takac, my new editor, I planned to read it just to let her see it.  But when I opened it all this new energy came out and with Jan’s help I tightened it and rewrote two more times.  So, I am not saying part of my process is to let a manuscript sit for 10 years, but this story is much better for the wait.          

Jerome: Where do you find inspiration?

Patrick: In life.  Good God, it’s all about.  It helps to also have a deep desire to communicate and be understood.  If you’re feeling uninspired… travel.  Look.  Listen.  Question.   Go anywhere but your everyday places.  I get bored, depressed, angry.  I think we need to be ourselves, but look for the positive, and definitely use every emotion and every question that has ever come through you.

Jerome: Who are your favourite authors?

Patrick: Larry McMurtry, Wallace Stegner, Deepak Chopra, Peter Matthiessen, Ernest Hemingway and a lot of others.  I also enjoy newer writers but the earlier ones helped shape me.

Jerome: Is there a book you wish you had written? Which one?

Patrick: No, but there are stories I’d liked to have lived.  There are many books I marvelled at the talent it took to write.  There is no question that great writing that moved me emotionally also inspired me to write.

Jerome: Do you have any tips for budding writers?

Patrick: I am now 53.  Years pass quickly.  I have always been impatient.  Perhaps that is our worst enemy, impatience.  Yes, go, yes, do, but also be patient with who you are, who you are with, and what you do.  It’s worth it.  Write the pieces you have said time and again you want to write.

Jerome: What are you working on at the moment?

Patrick: Publicizing Across the Desperate Miles.  And a collection of essays about my life and life in general.  This will be out on Amazon in a couple of months.  Then, my next novel.

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Blacklands, by Belinda Bauer


I first came across Blacklands by Belinda Bauer when I read a review of the novel on my friend Nikki-Ann’s blog (you can find her review here). She raved about it, so I felt I had to read it. Blacklands is also one of the crime novels on the list of the Great Transworld Crime Caper.

Blacklands tells the story of Steven Lamb, a twelve-year-old boy whose uncle Billy Peters was murdered by a pervert when he was only eleven. The murder has had a strong impact on the family, which has become somewhat dysfunctional since the event. Steven’s grandmother (Billy’s mother) never got over losing her son and pays little attention to Steven. To get a little bit of his grandmother’s love that he is yearning for, Steven decides to find his uncle’s body. To do this he starts writing to his uncle’s murderer, who sits in a jail nearby. Starts a dangerous game of cat and mouse between Steven and Billy’s murderer, which turns deadly when the pervert escapes from prison and looks for Steven with more than just a chat in mind.

Bauer mentions that when she started writing her book, she didn’t have a crime novel in mind. Instead, what she wanted to write about was the story of a boy and his grandmother. Well, she certainly succeeded in that regard. The relationship between Steven and his grandma is fantastically portrayed and you find yourself suffering in silence in Steven’s shoes. In fact, the relationship triangles in the whole family are wonderfully described, with Steven’s younger brother Davey, his mother Lettie, and Lettie’s boyfriend Uncle Jude all playing a big role. However, with the murderer’s entrance, the story takes on a more sinister turn. Bauer has made smart use of the novel’s environment. The eerie atmosphere of the Moors plays such a large role in the book that the landscape almost becomes a character with its own set of rules and even feelings. This is a great, psychological story. I find it hard to put it into a specific genre, and that’s a good thing as far as I’m concerned: it is as much as a coming-of-age story than a crime novel or a story about grieving. I read it in two days and I am looking forward to Bauer’s next book, Darkside.

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